“Sash Reflections” is one of the tracks included on the upcoming PublicSpaces Lab release “PS020 Various Artists – The Future Lab”. Video Concept and Direction by: Fernando Fonseca
DigiTube brings us a new EP that it is a true showcase of his talent. Relaxed, well humored and with moments of true musical genius, “Time to Chill” points out the future of the genre. To listen to in a relaxed environment with a daiquiri nearby.
“Bright dawn sketches” is an ambient album focused on exploring different environments, from urban solitude, sirens crying, ocean waves crashing in the shores and sunbeams reflected in the clouds.
We had more than 17000 page views last month, meaning that new people are coming to the website and discovering our releases and our artists
We thank you ALL for being a part of our 2009 and we look forward to share our/your music.
“It is my pleasure to witness one of the most precious jewels of today’s netaudio scene coming together with one of the most caring netlabels around”
Just a quick note to let you know what is going on behind the curtains at the Lab this month:
We are very happy to announce that from now you will be reading Fernando (Mateus)’s insights at the Editor’s corner. We look forward to it!
We look forward to read what Miguel has to say here. Please give him a warm welcome to the PublicSpaces Lab family.
We welcome Mr. Bitterness to our family and look forward to see and read what he will do with this space.
The official release video for dustmotes’ EP “Beats for the Subverted”. Directed and Edited by Rita Monteiro.
Where Nick speaks about a technique for creating the little zaps and glitches
I think maybe the biggest thing I can do, is give you some tips on what doesn’t work in compression.
Netaudio Berlin will be gathering the international netaudio community for a four-day music and conference festival in Berlin
I know this post is very similar to a previous one”Sculpting your sound”, but it does deal with an extremely important area of your work that can go unnoticed.
This week I’d like to focus on how an instrument or sound effect develops along with the composition
Next time you add a new sound to a piece, question whether it is truly necessary.
So, protect your ears, avoid time eating mistakes, and Get a limiter in there…. fast!!!
The basic idea is that the user feeds a continuous stream of sound into the sequencer while various bits of automation are triggering different chains of effects processing
The tonal curve only has so much space, so you can only push so much into it. I’ll try to explain and not sound like a text book.
“The work deals with ambiguity, diversity and is full of sub-tones and unconnected juxtapositions. As we listen to the PS010 compilation, it successfully stimulates our imagination, for we perceive inumerous signs, carefully distributed, that motivate the senses and the irrefutable will to extract more of it.”